![]() It’s a flattering depiction, for sure, but it’s also terribly reductive – and as a result, Tarantino’s film is just plain dull. Instead, Tarantino’s Tate is a presence – a luminous, kind, generous angel of a woman whose heart seems wide open to the world. Even reality TV, the medium that most frequently purports to let us watch people “just live”, heavily resorts to storytelling techniques to keep us hooked. Watching people just live is boring, even in a Tarantino movie. (Granted, a lot of us don’t experience personal change on a daily basis, but that’s a luxury characters in works of fiction cannot be afforded. She doesn’t experience any kind of personal growth. This version of Tate, to be clear, is not a character. She does, however, have a good amount of screen time, which is filled with sequences of Tate dancing, laughing, talking, holding hands with her husband Roman Polanski, and in one instance, going to the cinema. ![]() It is a well-known fact by now that Margot Robbie, who plays Tate, has a ludicrously scant number of lines in Tarantino’s film. It’s unclear exactly what Quentin Tarantino means by that (is Tate feeling big? Bloated? Sweaty? Heavy? ), yet this acknowledgement of Tate’s “pregnancy-induced melancholy” is the first hint that the actor might be treated like a fully fledged character after all, as opposed to the hazy, sexy fever dream she’s reduced to for most of the film’s two hours and 41 minutes. in Hollywood, a narrator informs us that the blistering August heat has left Sharon Tate feeling “especially pregnant in all the worst ways”. Warning: the piece below contains spoilers for ‘Once Upon a Time.
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